Show simple item record

dc.contributor.advisorBoyd, Jean Ann.
dc.contributor.authorBerg, Michael W.
dc.contributor.otherBaylor University. School of Music.en
dc.date.accessioned2008-08-25T16:25:35Z
dc.date.available2008-08-25T16:25:35Z
dc.date.copyright2008-08
dc.date.issued2008-08-25T16:25:35Z
dc.identifier.urihttp://hdl.handle.net/2104/5206
dc.descriptionIncludes bibliographical references (p. 137-138).en
dc.description.abstractWithin the world of music history, choral music seems to drop off of the map with the end of the Baroque era, and only a handful of major works, such as masses and oratorios, are typically studied in an academic setting. As a result, many exquisite pieces are often largely neglected in many music history courses and textbooks, and it is my firm belief that such a neglect is to our detriment. With that in mind, I have undertaken a study of the published choral music of Samuel Barber (1910-1981). In this thesis, I undertake a study of Barber’s music by observing stylistic techniques in his choral music, particularly those techniques that remain consistent throughout his choral works.en
dc.description.statementofresponsibilityby Michael Berg.en
dc.format.extentv, 138 p. : ill.en
dc.format.extent153870 bytes
dc.format.extent8521848 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen
dc.rightsBaylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.en
dc.subjectChoral Music -- Analysis, appreciation.en
dc.subjectBarber, Samual, 1910-1981. Choral music.en
dc.titleA discussion of the choral music of Samuel Barber.en
dc.typeThesisen
dc.description.degreeM.M.en
dc.rights.accessrightsWorldwide accessen
dc.contributor.departmentMusic.en


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record