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dc.contributor.advisorHansen, Christopher J.
dc.contributor.authorShen, Patrick C.
dc.date.accessioned2011-12-19T20:06:12Z
dc.date.available2011-12-19T20:06:12Z
dc.date.copyright2011-12
dc.date.issued2011-12-19
dc.identifier.urihttp://hdl.handle.net/2104/8283
dc.description.abstractWell-edited films are deeply rooted in the concepts of rhythm and pace. Many film editors argue that this sense of rhythm and pace is born out of a generalized sense of “intuition.” This concept of intuition is very rarely explored in academic scholarship. This paper explores and deconstructs the concept of the film editor’s intuition into definable methods of acquisition and usage. These methods are formed through the development of both a theoretical and practical frameworks.en_US
dc.language.isoen_USen_US
dc.publisheren
dc.rightsBaylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.en_US
dc.subjectFilm editing.en_US
dc.subjectRhythm.en_US
dc.titleFilm and intuition : an exploration of rhythm, pace, and the moving image.en_US
dc.typeThesisen_US
dc.description.degreeM.A.en_US
dc.rights.accessrightsWorldwide access.en_US
dc.rights.accessrightsAccess changed 7/1/13.
dc.contributor.departmentCommunication Studies.en_US
dc.contributor.schoolsBaylor University. Dept. of Communication Studies.en_US


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