This thesis details the production process for Baylor Theatre’s mainstage production of Dancing at Lughnasa by Brian Friel, directed by Heidi Breeden, in partial fulfillment of the Master of Fine Arts in Directing. Dancing at Lughnasa is a somewhat autobiographical memory play, featuring strong roles for women and requiring advanced acting skills. This thesis first investigates the life and works of Brian Friel, then offers a director’s analysis of the text, documents the director’s process for the production, and finally offers a reflection on the strengths and opportunities for improvement for the director’s future work.