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    Plunder and profit : museums, private collectors, and Nazi looted art.

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    Date
    2013-09-16
    Author
    Stanley, Mary Ellen.
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    Abstract
    Throughout World War II, looting was an activity that was widely embraced by Nazi Germany, the Soviet Union, and the United States Armed Forces. Although the natures of looting varied among these specific entities, every theft left a mark on the history of art in both the private and public collections of Europe. The repercussions continue to affect the contemporary art world and museum collections practices. Owing to the lack of standards in the museum field, works with questionable provenance lie in museum's collections that detrimentally affect museums' public service missions and their accountability to the public. As a result an ethical quagmire is created in which museums must re-evaluate their collections management practices and acknowledge the realities of the art market in order to remain within ethical practices. This thesis investigates World War II looting, restitution efforts, cases, and the contemporary challenges museums are facing with Nazi looted art.
    URI
    http://hdl.handle.net/2104/8767
    Department
    Museum Studies.
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    • Electronic Theses and Dissertations
    • Theses/Dissertations - Museum Studies

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    Copyright © Baylor® University All rights reserved. Legal Disclosures.
    Baylor University Waco, Texas 76798 1-800-BAYLOR-U
    Baylor University Libraries | One Bear Place #97148 | Waco, TX 76798-7148 | 254.710.2112 | Contact: libraryquestions@baylor.edu
    If you find any errors in content, please contact librarywebmaster@baylor.edu
    DSpace software copyright © 2002-2016  DuraSpace
    Contact Us | Send Feedback
    TDL
    Theme by 
    Atmire NV