Show simple item record

dc.contributor.advisorBest, Robert
dc.contributor.authorLewis, Robert
dc.contributor.otherBaylor University.en_US
dc.date.accessioned2014-06-02T19:00:04Z
dc.date.available2014-06-02T19:00:04Z
dc.date.copyright2013-12-05
dc.date.issued2014-06-02
dc.identifier.urihttp://hdl.handle.net/2104/9034
dc.description.abstractIn the twentieth and twenty-first centuries, the boundaries of vocal technique have been expanded into realms heretofore unexplored. The physical nature of singing has not changed; only the ends to which it is employed. Two distinct styles have emerged: classical and contemporary/musical theatre technique. Pedagogues from the two fields teach many of the same concepts, but differ in their emphasis on certain elements over others. This thesis discusses the elements of singing stressed roughly equally by both styles of singing, and describes certain techniques used to teach them.en_US
dc.language.isoen_USen_US
dc.rightsBaylor University projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.en_US
dc.titleFundamentals of Versatile Vocal Techniqueen_US
dc.typeThesisen_US
dc.rights.accessrightsWorldwide accessen_US
dc.contributor.departmentMusic Education.en_US
dc.contributor.schoolshonors collegeen_US


Files in this item

Thumbnail
Thumbnail


This item appears in the following Collection(s)

Show simple item record