The catalysts, standards, and diffusions of virtual production technologies and workflows : perspectives from key stakeholders.

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dc.contributor.advisorShafer, Daniel Mark, 1978-
dc.creatorJobin, Rachel E., 1998-
dc.creator.orcid0000-0002-1548-295X
dc.date.accessioned2022-06-03T13:19:19Z
dc.date.available2022-06-03T13:19:19Z
dc.date.created2022-05
dc.date.issued2022-04-22
dc.date.submittedMay 2022
dc.date.updated2022-06-03T13:19:20Z
dc.description.abstractPropelled into the spotlight by The Mandalorian in 2019, the filmmaking technique commonly referred to as virtual production, which uses gaming engines to display VFX content on LED volumes in real-time to allow for in-camera final-pixel capture, is often heralded as the future of digital filmmaking. While information about virtual production and its specific application in the entertainment industry is increasing exponentially, no formal study has sought to examine the adoption patterns of virtual production using the theoretical foundations of innovation theory. Through in-depth interviews with key virtual production stakeholders, this thesis identifies the aspects of virtual production technology that might accelerate or impede its adoption. External drivers at the level of industry and culture are also explored, followed by a series of recommendations based on diffusion of innovation theory and innovation management intended to further the adoption of virtual production.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://hdl.handle.net/2104/11960
dc.language.isoen
dc.rights.accessrightsWorldwide access
dc.subjectVirtual production. Innovation. Filmmaking. Production. Visual effects. Diffusion of innovation.
dc.titleThe catalysts, standards, and diffusions of virtual production technologies and workflows : perspectives from key stakeholders.
dc.typeThesis
dc.type.materialtext
thesis.degree.departmentBaylor University. Dept. of Film & Digital Media.
thesis.degree.grantorBaylor University
thesis.degree.levelMasters
thesis.degree.nameM.A.

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