Castleberry, Marion.Baker, Rebekah Christine.Baylor University. Dept. of Theatre Arts.2009-06-022009-06-022009-052009-06-02http://hdl.handle.net/2104/5324Includes bibliographical references (p. 118-121).This thesis provides an in-depth analysis of Steven Martin’s play Picasso at the Lapin Agile, followed by a detailed description of Rebekah Baker’s directorial approach to the work in Baylor University’s production, which ran from April 22 to April 27, 2008. Chapter one will provide background information on Picasso at the Lapin Agile, as well as Steve Martin’s life as a comedian, actor, writer, and playwright. Chapter two will present an action analysis of the play, specifically looking at its style, genre, and dramatic structure. Chapter three will discuss design and production choices made within the collaborative artistic process. Chapter four will elaborate the production process from its proposal for the theater season through to final performance. Chapter five will explore the strengths and weaknesses of the production as well as the work of the director. The thesis will conclude with an evaluation of the overall effect of the production.vii, 121 p. : ill., photos.1135288 bytes475289 bytesapplication/pdfapplication/pdfen-USBaylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.Martin, Steve, 1945-. Picasso at the Lupin Agile.Martin, Steve, 1945- -- Criticism and interpretation.Theatre -- Production and direction.ThesisWorldwide access