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dc.contributor.advisorToten Beard, Deanna M., 1969-
dc.contributor.authorHampton, Jessi M.
dc.date.accessioned2013-09-16T13:11:27Z
dc.date.available2013-09-16T13:11:27Z
dc.date.copyright2013-05
dc.date.issued2013-09-16
dc.identifier.urihttp://hdl.handle.net/2104/8756
dc.description.abstractGarson Kanin’s 1945 play, Born Yesterday, depicts the transformation of a former chorus girl from an ignorant young “lady” into an educated and cultured “woman”. A Director’s Approach to Garson Kanin’s Born Yesterday explores the analytical and production aspects of producing the play on Baylor University’s mainstage. Chapter One explores the author, his works, and a critical assessment of previous Born Yesterday productions. Chapter Two gives analytical insight used to create a unified concept while Chapters Three and Four relay the practical application of the analysis and investigate collaboration with designers and actors. Finally, Chapter Five concludes with a discussion of strengths and weaknesses of the final production.en_US
dc.language.isoen_USen_US
dc.publisheren
dc.rightsBaylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.en_US
dc.subjectKanin, Garson, 1912-1999.en_US
dc.subjectBorn yesterday.en_US
dc.titleA director's approach to Garson Kanin's Born Yesterday.en_US
dc.typeThesisen_US
dc.description.degreeM.F.A.en_US
dc.rights.accessrightsWorldwide accessen_US
dc.contributor.departmentTheatre Arts.en_US
dc.contributor.schoolsBaylor University. Dept. of Theatre Arts.en_US


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