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dc.contributor.advisorJortner, David, 1971-
dc.creatorGrote, John Dean, 1987-
dc.date.accessioned2016-09-01T13:44:31Z
dc.date.available2016-09-01T13:44:31Z
dc.date.created2016-08
dc.date.issued2016-08-03
dc.date.submittedAugust 2016
dc.identifier.urihttp://hdl.handle.net/2104/9818
dc.description.abstractAnglophone scholarship on Vietnamese theatre has a complex history; its authors range from British and American explorers to current day Asian theatre scholars. The evolution of English-language scholarship on Vietnamese theatre is directly tied to the historical events experienced by these authors. The purpose of this thesis is to detail this scholarship and examine the historiographical developments used in analysis of the theatre. Much like other areas, the Anglophone historiography on Vietnamese theatre shifts with the research interests of the authors and their approaches to writing. This study, which discusses the evolution of these writings, demonstrates how knowledge on Vietnamese theatre is produced and disseminated to the English-speaking world.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subjectVietnamese theatre. Historiography.
dc.titleUnderstanding the dragon's theatre : an Anglophone historiography of Vietnamese theatre.
dc.typeThesis
dc.rights.accessrightsWorldwide access.
dc.type.materialtext
thesis.degree.nameM.A.
thesis.degree.departmentBaylor University. Dept. of Theatre Arts.
thesis.degree.grantorBaylor University
thesis.degree.levelMasters
dc.date.updated2016-09-01T13:44:31Z


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