Ecstatic Utterances explained : a companion to Ecstatic Utterances.

dc.contributor.advisorMcAllister, Scott.
dc.contributor.authorSimmons, Jim (James D.)
dc.contributor.departmentMusic.en_US
dc.contributor.schoolsBaylor University. School of Music.en_US
dc.date.accessioned2013-05-15T18:52:05Z
dc.date.available2013-05-15T18:52:05Z
dc.date.copyright2012-12
dc.date.issued2013-05-15
dc.description.abstractThis paper provides technical and philosophical insight into the composition Ecstatic Utterances. Three distinguishing approaches feature in this thesis: strands, and their accompanying theory; harmonic crescendo and a limited aleatory passage. Of greatest importance amongst these three is the concept of a strand, and the possibilities obtaining therein; possibilities which have crystallized in the writer’s musical and verbal expression, providing methods for both composition and analysis. While these methods remain in need of development, important strides have already been taken: a detailed analysis of portions of Ecstatic Utterances and a brief theoretical foundation titled “A Beginning to the Discussion of Strands as a Form of Musical Expression: A Conceptual Glossary.” Both documents were developed simultaneously in an attempt to be systematic. All work is original unless otherwise cited.en_US
dc.description.degreeM.M.en_US
dc.identifier.urihttp://hdl.handle.net/2104/8595
dc.language.isoen_USen_US
dc.publisheren
dc.rightsBaylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.en_US
dc.rights.accessrightsWorldwide access.en_US
dc.rights.accessrightsAccess changed 5/21/14.
dc.subjectEcstatic Utterances.en_US
dc.subjectHarmonic crescendo.en_US
dc.subjectStrands.en_US
dc.subjectLimited aleatory passage.en_US
dc.titleEcstatic Utterances explained : a companion to Ecstatic Utterances.en_US
dc.typeThesisen_US

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