Music and the Soul: Character Formation to Transcendence

dc.contributor.advisorCorey, David D.
dc.contributor.authorHastings, Annalise
dc.contributor.departmentGreat Texts of the Western Tradition.en_US
dc.contributor.otherBaylor University.en_US
dc.date.accessioned2018-08-09T13:56:36Z
dc.date.available2018-08-09T13:56:36Z
dc.date.copyright2018-08-06
dc.date.issued2018-08-09
dc.description.abstractThis creative thesis explored music’s effects on the human soul. I used the lenses of Plato’s “Republic,” Alan Bloom’s “The Closing of the American Mind,” and Rodger Scruton’s “Understanding Music,” to explore music’s power to shape humans. The second part of my project was a lecture-recital, in which I shared my research and performed solo Bach, Sarasate’s “Carmen Fantasy,” and Massenet’s “Meditation from Thais.” Each piece served to illustrate an aspect of my research. The goal of this thesis was to blend the practical with the theoretical, demonstrating academically and experientially the power music has to shape the human soul.  en_US
dc.identifier.urihttp://hdl.handle.net/2104/10405
dc.rightsBaylor University projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.en_US
dc.rights.accessrightsWorldwide access.
dc.titleMusic and the Soul: Character Formation to Transcendenceen_US
dc.typeThesisen_US

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