The cinematography of In Paradise.
| dc.contributor.advisor | Hansen, Christopher J. | |
| dc.contributor.author | Youngblood, Aaron Michael. | |
| dc.contributor.department | Communication. | en_US |
| dc.contributor.schools | Baylor University. Dept. of Communication. | en_US |
| dc.date.accessioned | 2014-06-11T14:26:01Z | |
| dc.date.available | 2014-06-11T14:26:01Z | |
| dc.date.copyright | 2014-05 | |
| dc.date.issued | 2014-06-11 | |
| dc.description.abstract | A film's cinematography should interpret and render the various elements of the story in visual terms and add levels of meaning that enhance the action and dialogue. Lighting, framing and camera movement should be used to illustrate the mood, tone and themes of the film. The cinematography of In Paradise utilizes low-key lighting to set the dark mood and tone of the story, as well as diverse composition and a combination of smooth and handheld camera movement techniques to reflect the emotion and energy of the story. | en_US |
| dc.description.degree | M.A. | en_US |
| dc.identifier.uri | http://hdl.handle.net/2104/9118 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | en | |
| dc.rights | Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. | en_US |
| dc.rights.accessrights | Worldwide access. | en_US |
| dc.rights.accessrights | Access changed 8/20/19. | |
| dc.subject | Cinematography. | en_US |
| dc.subject | In paradise. | en_US |
| dc.title | The cinematography of In Paradise. | en_US |
| dc.type | Thesis | en_US |
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