The cinematography of "Closet memories."
| dc.contributor.advisor | Hansen, Christopher J. | |
| dc.contributor.author | Oei, Robert, 1982- | |
| dc.contributor.department | Communication. | en_US |
| dc.contributor.schools | Baylor University. Dept. of Communication. | en_US |
| dc.date.accessioned | 2013-09-16T12:50:08Z | |
| dc.date.available | 2013-09-16T12:50:08Z | |
| dc.date.copyright | 2013-05 | |
| dc.date.issued | 2013-09-16 | |
| dc.description.abstract | The cinematography of a film heavily influences the audience’s mood and their perception of tension. The way a director of photography uses lights and the camera can enhance or destroy the moments of a film a director has built. Keeping this knowledge in mind, the cinematography of Closet Memories uses film noir lighting, a mixture of handheld and smooth camera work, and other techniques to maintain the emotional content of the film’s scenes. | en_US |
| dc.description.degree | M.A. | en_US |
| dc.identifier.uri | http://hdl.handle.net/2104/8721 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | en | |
| dc.rights | Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. | en_US |
| dc.rights.accessrights | Worldwide access. | en_US |
| dc.rights.accessrights | Access changed 7/12/18. | |
| dc.subject | Cinematography. | en_US |
| dc.subject | Filmmaking. | en_US |
| dc.title | The cinematography of "Closet memories." | en_US |
| dc.type | Thesis | en_US |
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