The Artist as "Is": A Creative and Critical Analysis of the Aesthetics of E.E. Cummings in his Poetry and Painting

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dc.contributor.advisorFerretter, Luke, 1970-
dc.contributor.authorHwang, Hannah
dc.contributor.departmentEnglish.en_US
dc.contributor.schoolsHonors College.en_US
dc.date.accessioned2013-05-24T20:09:59Z
dc.date.available2013-05-24T20:09:59Z
dc.date.copyright2013-05-01
dc.date.issued2013-05-24
dc.description.abstractEdward Estlin Cummings, more commonly known as E.E. Cummings, dedicated his life to the pursuit of remaining in an active state of creating, and therefore experimented with a plethora of artistic mediums including, but not limited to, poetry and painting. Although he is primarily known for his poetry, in which his unconventional experimentation with grammar, punctuation and spelling brought him much attention, his passion for painting equally served as an effective method of self-expression for the avant-garde artist. Regarding his obsession with aesthetics, Cummings wrote in a series of his “nonlectures” for the students of his Alma Mater, Harvard University, “so far as I am concerned, poetry and every other art was and is and forever will be strictly and distinctly a question of individuality… (as it happens) poetry is being, not doing.” By analyzing both a poem and a painting from five different periods of his life, I seek to find the instances in which the relationship between Cummings as a human being and Cummings as an artist coalesce. These instances within his art, in which his intellectual pursuits yield visceral sensations for both himself and his readers define who he was: an authentically unique individual dedicated to spreading feeling, truth and beauty. As I also uphold and desire to share these virtues, I will follow each pair of analyses with an original poem and painting inspired by Cummings’ works because, as he believed, to create is to feel, and “to feel something is to be alive.”en_US
dc.identifier.urihttp://hdl.handle.net/2104/8651
dc.language.isoen_USen_US
dc.rightsBaylor University projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.en_US
dc.rights.accessrightsWorldwide accessen_US
dc.titleThe Artist as "Is": A Creative and Critical Analysis of the Aesthetics of E.E. Cummings in his Poetry and Paintingen_US
dc.typeThesisen_US

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