Charlotte and Anne Brontë’s Visions of Religion, Conventionality, and Morality

dc.contributor.advisorPond, Kristen
dc.contributor.authorOliver, Grace
dc.contributor.departmentUniversity Scholar.en_US
dc.contributor.schoolshonors collegeen_US
dc.date.accessioned2020-05-19T13:22:13Z
dc.date.available2020-05-19T13:22:13Z
dc.date.copyright2020
dc.date.issued2020-05-19
dc.description.abstractIn this thesis I explore how religion shapes moral awareness and agency in Charlotte Brontë’s Jane Eyre and Anne Brontë’s The Tenant of Wildfell Hall. After briefly discussing the religious and philosophical framework of moral agency in the nineteenth century, I examine Jane Eyre’s questioning of the relationship between religion, conventionality, and morality by examining key passages in which Jane’s most decisive actions are framed within religious language and moral awakening. In the third chapter, I explore how Helen Huntingdon’s view of feminine morality affects her agency, paying particular attention to her response to definitions of femininity which limit her spiritual integrity. In the fourth chapter and conclusion I compare the endings of the two novels and examine the ways in which reading the development of the female characters’ moral agency through the lens of religion expands our interpretation of their radical individuality and social critique.en_US
dc.identifier.urihttps://hdl.handle.net/2104/10847
dc.language.isoen_USen_US
dc.rightsBaylor University projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.en_US
dc.rights.accessrightsWorldwide accessen_US
dc.subjectConventionality.en_US
dc.subjectMorality.en_US
dc.subjectReligion.en_US
dc.subjectBrontë.en_US
dc.titleCharlotte and Anne Brontë’s Visions of Religion, Conventionality, and Moralityen_US
dc.typeThesisen_US

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