Prophecy.

dc.contributor.advisor	McAllister, Scott.
dc.creator	Carroll, Charles Lee, 1992-
dc.creator.orcid	0000-0002-7352-9744
dc.date.accessioned	2021-07-14T14:09:41Z
dc.date.available	2021-07-14T14:09:41Z
dc.date.created	2021-05
dc.date.issued	2021-04-22
dc.date.submitted	May 2021
dc.date.updated	2021-07-14T14:09:42Z
dc.description.abstract	Throughout this paper I will provide analytical insight into the various compositional elements that constitute my capstone master’s project for orchestra, Prophecy. Utilizing examples from the score as well as those of composers greater than myself, I will focus on five major elements of the work: namely, its conceptual origins, thematic/harmonic content, formal structure, orchestration, and significant compositional influences. In doing so it is my hope that the reader might gain a more comprehensive understanding of the work, the creative processes behind its production, its musical makeup and architecture, and its place in the modern orchestral repertoire.
dc.format.mimetype	application/pdf
dc.identifier.uri	https://hdl.handle.net/2104/11509
dc.language.iso	en
dc.rights.accessrights	Worldwide access.
dc.rights.accessrights	Access changed 9/25/23.
dc.subject	Prophecy. Orchestra.
dc.title	Prophecy.
dc.type	Thesis
dc.type.material	text
local.embargo.lift	2023-05-01
local.embargo.terms	2023-05-01
thesis.degree.department	Baylor University. School of Music.
thesis.degree.grantor	Baylor University
thesis.degree.level	Masters
thesis.degree.name	M.M.