Film and intuition : an exploration of rhythm, pace, and the moving image.

dc.contributor.advisor	Hansen, Christopher J.
dc.contributor.author	Shen, Patrick C.
dc.contributor.department	Communication Studies.	en_US
dc.contributor.schools	Baylor University. Dept. of Communication Studies.	en_US
dc.date.accessioned	2011-12-19T20:06:12Z
dc.date.available	2011-12-19T20:06:12Z
dc.date.copyright	2011-12
dc.date.issued	2011-12-19
dc.description.abstract	Well-edited films are deeply rooted in the concepts of rhythm and pace. Many film editors argue that this sense of rhythm and pace is born out of a generalized sense of “intuition.” This concept of intuition is very rarely explored in academic scholarship. This paper explores and deconstructs the concept of the film editor’s intuition into definable methods of acquisition and usage. These methods are formed through the development of both a theoretical and practical frameworks.	en_US
dc.description.degree	M.A.	en_US
dc.identifier.uri	http://hdl.handle.net/2104/8283
dc.language.iso	en_US	en_US
dc.publisher		en
dc.rights	Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission.	en_US
dc.rights.accessrights	Worldwide access.	en_US
dc.rights.accessrights	Access changed 7/1/13.
dc.subject	Film editing.	en_US
dc.subject	Rhythm.	en_US
dc.title	Film and intuition : an exploration of rhythm, pace, and the moving image.	en_US
dc.type	Thesis	en_US

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